Matt Morrison’s plays include: ‘Through the Night’, a Papatango award runner-up, produced at the Finborough Theatre; ‘Inside Out’, produced at the HighTide festival; ‘The Shelter’, commission by LAMDA and produced at The Riverside Studios. His recent play, ‘The Bounds’, was shortlisted for the Theatre503 playwriting award and chosen by the Arcola for its PlayWROUGHT scheme. Other work has been performed at The Arcola, Wilton’s Music Hall, The Gate, The West Yorkshire Playhouse and The Old Vic Tunnels. Matt is an associate of site-specific theatre company Hannah Bruce and Company. He has been a runner up for BBC sitcom and sketch writing awards, and is the author of three non-fiction books.

Charlotte recently co-directed the hit online production of Birdsong for the Original Theatre Company. When theatre is back up and running, Charlotte is due to direct new comedy Another Mother at the Park Theatre and King Arthur at the Roses Theatre. She is Associate Director on the UK & international tours of both War Horse and Stephen Daldry’s An Inspector Calls, following Resident Director roles on both shows at the National Theatre and West End respectively. Charlotte is a director of Brickdust which she runs with Larner Wallace Taylor and is an Associate Artist of Original Theatre, responsible for their literary panel.

Other directing: How Love Is Spelt for her company Brickdust (Southwark Playhouse); Birdsong Online, Birdsong, The Private Ear and The Public Eye (Original Theatre Company); Normality (The Other Palace); Darts Wives (Museum of Comedy); Timeless (N16); The Musical Revue (Edinburgh Fringe); The Mouth of a Shark (VAULT Festival); Caste (Finborough Theatre); By My Strength (Women and War Festival); Sunday at the Musicals (St Paul’s Church, Phoenix Artists’ Club & Leicester Haymarket); Fame (Tallink, Scandinavia) and How To Make Money from Art (Camden Fringe); as well as shorts at the Soho, Arcola, Park and the Old Red Lion.

Associate, resident and assistant direction: Only the Brave (Wales Millennium Centre); I’m Not Here Right Now (Soho Theatre and Edinburgh Festival Fringe); and The Importance of Being Earnest, The Musical, Aladdin and Jack and the Beanstalk (Theatre Royal Windsor).

Riaz is a freelance editor, colourist and cinematographer based in London. He attended the University of Westminster where he received a First Class Honours in Film Production.

Riaz has recently worked on campaigns for Santander’s Universities and THRDS Studios, as well as video editorials for Wonderland Magazine and Pap Magazine. He works primarily through his production company RXD Studios (www.rxdstudios.com), who specialise in producing promotional, music and fashion based video content. 

Riaz actively works on both narrative film projects as well as short-form video content. 

Lindsey is a freelance Musical Director, Award-Winning Composer and Arranger/Orchestrator originally from Glasgow, Scotland. She attended the University of St Andrews and the Royal Conservatoire of Scotland.  

Lindsey has recently finished working as Musical Director for the Royal Shakespeare Company's 2019-2020 season. For her RSC debut season, she worked as MD on The Taming of The Shrew (dir. Justin Audibert), As You Like It (dir. Kimberly Sykes) and Measure for Measure (dir. Gregory Doran). She is also deputy MD/Joan for the UK Tour and West End productions of SIX The Musical. 

Other theatre credits include: As You Like It (Jackson’s Lane, London), Women Beware Women (Alexander Gibson Opera Studio, Glasgow), The Blues Brothers: Live! (Arts Theatre, London), Jack and The Beanstalk (The Byre Theatre, St Andrews), Beauty and The Beast (Theatre Royal, Windsor), Fame: 20th Anniversary (UK Tour), English National Ballet: Choreographics (The Barbican, London), Aladdin (Theatre Royal, Windsor), Towards The Moon (Citizen’s Theatre, Glasgow), Tommy (Prince Edward Theatre, London), Cinderella (The King’s Theatre, Glasgow), Divided City (Citizen’s Theatre, Glasgow), Snow White (The Byre Theatre, St Andrews), 162 Bars Out (National Theatre of Scotland), Jerry Springer: The Opera (George Theatre, Edinburgh).

Lindsey also works as a keyboard programmer and sound designer.  

Stanley Walton is a director and founding member of theatre company On A Wimb. Stanley focuses primarily on new writing, including On a Wimb's Les Enfants Terribles award-nominated Earth Hour in 2019, and has directed work performed at venues including the Pleasance Theatre, Theatre503 and Bunker Theatre. Elsewhere, he has assisted directors including Justin Audibert, Jamie Rocha Allan, James Farrell, Alan Lane, Nigel Harman, Dan Phillips, Emma Sampson and Matthew Wilkinson amongst others.

Recent work includes: The Collectors of Screams, Pleasance Theatre (Dir), Earth Hour, Pleasance Theatre (Dir), The Current, Theatre503 (Dir), Bossman, Bunker Theatre (Dir), Bid, Stockwell Playhouse (Dir), Song from Beside the Sea, Wimbledon College of Arts (Dir), My Eyes Went Dark, 59E59 (Asst Dir), The Odd Couple Maltings Arts Theatre (Dir), Something Something Lazarus, King’s Head Theatre (Asst Dir), The Appointment, The Bread & Roses Theatre (Dir), The Dumb Waiter, Maltings Arts Theatre(Dir), Neville’s Island, Maltings Theatre (Dir), Breathless, Clear Lines Festival (Dir), Handlebards, 2015 Tour (Asst Dir), Warehouse of Dreams, Lion & Unicorn Theatre (Asst Dir), The White Whale, Slung Low (Asst Dir), Animal Farm + Love & Information, Northampton Uni (Asst Dir) & Fanny & Faggot, Guildford School of Acting (Asst Dir)

Twitter: @brownhairedboy / @onawimbtheatre